The Rock’s new movie is bland and predictable

“Watching an action movie shouldn’t feel like a chore, but ‘Black Adam’ does,” wrote Kristy Puchko in her review of the film for Mashable. “Amid a slew of publicly damned decisions, Warner Bros. has released a DC Extended Universe movie that is more exhausting than exciting, spooling out tedious exposition alongside ugly action for a muddled mess of a movie that squanders its big budget and the promising star power of Dwayne Johnson, Aldis Hodge and Noah Centineo.”

Puchko noted that “Black Adam” rushes through the introductions of Cyclone, Atom Smasher, Hawkman and Doctor Fate “so quickly that it’s actually comical.”

“In their rush to ‘meet the team,’ the screenwriters ramble out more hasty exposition that’s difficult to grasp amid the cross-cutting of so many introductions and quirky cameos (which I’ll admit are a thrill),” she said.

“‘Black Adam’ is in such a hurry to pitch this batch of C-list heroes into their battle with the protagonist that your head might be spinning.”

“‘Black Adam’ isn’t bad,” said Mark Kennedy in his review of the film for the Associated Press. “It’s just predictable and color-by-numbers, stealing from other films like an intellectual property supervillain.”

Kennedy noted that Johnson is a natural choice to play Black Adam, able to mix “might with humor,” but ultimately his performance and the overall film were “let down by a derivative and baggy screenplay.”

“[The film] goes from one violent scene to another like a video game in order to paper over a plot both undercooked and overcooked,” he said. “At one point, with the audience exhausted by all the carnage, they introduce skeletons who rise up as a legion from hell, just what we wanted.”

For Alonso Duralde of The Wrap, “Black Adam” felt like “both too much and not enough,” a film where the “narrative gambits are helped by a sludgy visual style that’s either distractingly artificial or dispiritingly gloomy, except when it manages to be both.”

“The ensemble does what it can with the material, but no one’s going to be including this in their eventual life-achievement reels,” he said. “There’s a jarring sense of four-quadrant casting at work here — [Pierce] Brosnan for the parents! Centineo for the teens! Skateboard kid for the tweens! — that reads too obviously as a marketing strategy and not as a cast of characters who would actually be interacting in these circumstances.”

Like many other critics, Duralde noted that the film tries and fails to make a correlation between the Justice Society’s sudden appearance in Kahndaq, a fictional country in the Middle East, and past U.S. imperialism. It stops short of making any meaningful statement, however.

Critics also narrowed in on the narrative choices of “Black Adam.” The superhero film tries to brand its titular character as a vengeful, dark antihero, but does nothing story-wise to elevate or redefine the genre.

“‘Black Adam’ so desperately wants to be a darker and gristlier version of the same hamburger that audiences have been served over and over again for the last 15 years, but Johnson — who’s also a producer on the film, and a part-time architect of this cinematic universe in addition to our own — can’t abide the idea of doing something that might leave even one audience member behind,” said David Ehrlich in his review of the film.

He called “Black Adam” “exhaustingly derivative,” noting that the film felt like it had been “audience-tested within an inch of its life.”

Not even the main antagonist of the film could inspire critics.

“They team up to fight what might be the single-most forgettable villain in comic book movie history, which is a wild thing to say about a giant hell demon with a pentagram scar across its entire chest,” Ehrlich wrote.

Johnson has been connected to the Black Adam character for at least 15 years, explained Matt Singer in his ScreenCrush review. The project has won and lost directors and writers for years, but the former WWE wrestler has always been attached.

“Alas, 15 years of work produced a pretty middling movie, one that does not seem to reflect what must have been hundreds of hours of writing and countless screenplay drafts,” he said.

“Instead, ‘Black Adam’ plays like a committee-made product designed to zhoosh up the stagnant DC Extended Universe with a massive star and a batch of new heroes to spin off into future movies,” Singer said. “After two hours of dour table setting, you’re left with a clear direction for DC’s cinematic future — and a lot less interest in actually watching it.”